Showing posts with label Fxphd. Show all posts

fxphd FUS101 - Introduction to Fusion

Mar 14, 2009

fxphd FUS101 - Introduction to Fusion | 810 Mb

Source:
Code:

http://www.fxphd.com/courseInfo.php#FUS101

Matt Leonard leads our Fusion course at fxphd. His sphereVFX company has been doing Fusion training for years, including creating an intermediate level DVD for the app. Leonard has worked in the animation and visual effects industry for over sixteen years producing state-of-the-art work for feature films, broadcast and commercials in the UK and US markets.. He has set up and run animation divisions in five companies, overseen animators and compositors, worked as a CG Supervisor on various projects and has overseen live-action shoots.

Class 1: UI Overview and Understanding the Workflow of Fusion
This class covers the user interface, building the first simple composite and help to build an understanding of how Fusion deals with footage, channels, masks and nodes (colour correction, blurs, etc).

Class 2: Creators and Images Manipulation
This class covers the main nodes used to create backgrounds, gradients and fractals. Alongside these �creators� we also cover the transformation nodes such as Scale, Crop and DVE. Finally we will look at some of the warping tools such as Displace, Corner Positioned and Grid Wrap.

Class 3: Colour Correction and Additional Colour Channels
This class will focus mainly on colour correction inside of Fusion. We will also be covering the use of addition channels such as z-depth, normals, UV, motion vectors, etc.

Class 4: Effects and Filters
This class will look at various effects and filters which ship with Fusion and how best to use them in a production environment. Included will be the blurs, sharpens, camera effects, and custom filters.

Class 5: Masks, Mattes and Keying
This class will focus on the four main keys inside Fusion (Chroma, Luma, Difference and Ultra). We will be covering matte manipulation and gaining an understanding of premultiplied alpha and how it affects our compositing. We�ll also be looking at Masks including double-poly lines and spline animation.

Class 6: Tracking, Stabilisation and Corner Pinning
This class will look in-depth at the Tracker in Fusion which covers multi point tracking, stabilisations, corner pinning and perspective positioning.

Class 7: Paint, Wire Removal and Time Wrapping
This class will cover the multi faceted Paint tool inside of Fusion. We will look at retouch, cloning and wire removal. Also in this class we will cover the time manipulation nodes.

Class 8: Getting to Grips with 3D in Fusion
This first class covering the 3D aspect of Fusion will focus mainly on the UI and controls. We will be building a basic 3D composite and looking at the key nodes for build a 3D system, including Camera, Merge, Render, Image Plane and some Lights.

Class 9: A Greater Understanding of 3D in Fusion
This second class will be covering some of the more advanced aspects of 3D inside of Fusion. We will look at importing animation data for use with camera and geometry, camera projectors, point cloud data, displacement nodes, fbx and look more at lighting.

Class 10: A First Look at Particles
This class will be a basic introduction into Fusions powerful particle generator. We will cover the main Particle Emitter and both 2D and 3D Rendering. We will also look at how fields and forces control and manipulate the particles once emitted and how to build basic systems such as fire and rain.

Filefactory:

http://www.filefactory.com/file/af3bbb9/n/FUS101videos_part01_rar
http://www.filefactory.com/file/af3c94h/n/FUS101videos_part02_rar
http://www.filefactory.com/file/af3bd32/n/FUS101videos_part03_rar
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FXPHD AFX301 Guerrilla Filmmakers Guide To After Effects

Feb 19, 2009

FXPHD AFX301 Guerrilla Filmmakers Guide To After Effects | 4.5 GB

Edward's course will begin by breaking down shots, techniques, and workflow used in the actual production of Atilla the Hun. This in-depth coverage of the real world project will then shift gears into producing a complex visual effects shot with footage shot specifically for the course. Members will recreate the techniques used in one of the signature shots of the project -- that of 30,000 Huns storming across an open field in an aerial shot.

Professor: Gareth Edwards (GarethEdwards)

Class 1: An introduction to the course workflow, using the Adobe suite, Premiere and Excel. Initial set up for an effects shot in After Effects. Tracking in AE using nulls for multiple track points and exporting a time-remapped frame for a clean background plate in Photoshop. Illustrating the power of the Adobe suite in creating a quick proof of concept.

Class 2: Creating a matte painting. Follows a breakdown from initial sketch to importation of photographic elements and eventual rendering into a completed matte. Multiple examples using pre-rendered 3D and ways to add realistic details with photos and video to nest them further into a realistic matte.

Class 3: Tricks within After Effects focused on crowd duplication recycling elements to create variation. Tips for rotoscoping quickly, and using other programs such as Mocha and Boujou. Faking 3D space with a 2D image in After Effects using created or imported layers.

Class 4: Issues with parallax when creating drag and drop armies. Keying tips. Using a plug-in for 3DSmax to export camera data directly into After Effects.

Class 5: The "poor man's" Massive shot. Detailed example into using particle systems to animate huge crowds using avatar loops and tracking with multiple layers in both 3D and After Effects.

Class 6: Creation of another massive crowd charge, but using primarily After Effects instead of 3D particle clouds. 3D tracking in Boujou to provide tracking for a helicopter pass. Step by step process of constructing a proof of concept trial for the scene with provided footage.

Class 7: Making changes to the previs shot before committing to a finalized look. Randomizing the group of tourists further with additional avatars.

Class 8: A trick for grouping layers to simplify randomizing of avatars. Preparation of individual avatar passes for final composite.

Class 9: Additional passes are added to the composition to add further effects and grounding, including dust, bush intersection, color correction, light grading and glints.

Class 10: Reconsidering aspects of the shot for possible correction or tweaks. Correcting shadows and motion blur. Further example of a "poor man's" Massive with a different background plate, and class conclusion.

fxphd: Intermediate Maya III

Jan 13, 2009

fxphd: Intermediate Maya III | 941.48 MB

This is the start of a whole new era of 3D training at fxphd. We will be starting out with modeling and then moving to texturing and lighting.For the first time we have a new and exciting program that integrates with our other courses.This term we start the Zombie project, a moving love story set against the backdrop of a society that has had a really serious zombie problem - but has learnt to deal with it - more or less. The film will be shot on the Viper Digital camera and will feature a range of visual effects. In this course we will be contributing to the visual effects of the zombie both in adding to digital matte paintings and the broken limbs of poor unfortunate blown up zombies. The course will integrate into next term, and work with Mudbox files and a range of great texturing and lighting

Megaupload:
http://www.megaupload.com/?d=C6ZU5QVL
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Filefactory:
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Rapidshare:
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http://rapidshare.com/files/97708643/FPIM3.part19.rar
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pass:bdshare.net

fxphd: PFT201: 3D Camera Tracking with PFTrack

fxphd: PFT201: 3D Camera Tracking with PFTrack | 2.085 GB

Taught by Victor Wolansky and voiced by Mike Seymour, this course begins with an introduction to tracking in the application and then quickly moves to an intermediate level. fxphd postgrads will have access to a VPN version of PFTrack to follow along for the course. Wolansky is at at E3Post in Alexandria Virgnia, working on high-end commercials, broadcast, and commercial projects.

Megaupload:
http://www.megaupload.com/?d=AIJYU9SA
http://www.megaupload.com/?d=IR3O19CQ
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Filefactory:
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http://www.filefactory.com/file/d4bd3d/n/FXPHD_PFT201_part02_rar
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http://www.filefactory.com/file/9b7591/n/FXPHD_PFT201_part15_rar
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http://www.filefactory.com/file/60aac4/n/FXPHD_PFT201_part18_rar
http://www.filefactory.com/file/ab2012/n/FXPHD_PFT201_part19_rar
http://www.filefactory.com/file/2cf6b7/n/FXPHD_PFT201_part20_rar
http://www.filefactory.com/file/0cd3e9/n/FXPHD_PFT201_part21_rar
http://www.filefactory.com/file/d365b0/n/FXPHD_PFT201_part22_rar

Rapidshare:
http://rapidshare.com/files/97448307/FXPHD_PFT201.part01.rar
http://rapidshare.com/files/97448142/FXPHD_PFT201.part02.rar
http://rapidshare.com/files/97448817/FXPHD_PFT201.part03.rar
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http://rapidshare.com/files/97452824/FXPHD_PFT201.part22.rar

fxphd: [DRW201] Character Drawing and Development

fxphd: [DRW201] Character Drawing and Development | 168 MB

Our drawing class this term focuses on character design and development, taught by Siju Thomas. Thomas is a talented artist who specializes in creating characters -- beginning with traditional skeletal, muscular, and skin sketches and then taking them to 3D modeling. A point which he's sure to drive home is the idea of creating characters which are grounded in reality -- varied concerns such as considering movement based upon physique, determining dental structure and jaw line based upon diet (aka, a carnivore would most likely have incisors), and more. One focus of the course this term will be designing a zombie character for inclusion in the Zombie project. This resulting character will be used in the following July07 Term as part of the 3D classes.
A portfolio of his work can be seen at his online portfolio. Most of the class will be done using Alias Sketchbook Pro, but the techniques apply to Photoshop and traditional media.

Megaupload:
http://www.megaupload.com/?d=MR1AYIUF
http://www.megaupload.com/?d=X249QD6G

Rapidshare:
http://rapidshare.com/files/98664732/fxphd.drw201.part1.rar
http://rapidshare.com/files/98664108/fxphd.drw201.part2.rar

pass: drawing

fxphd: PHT201: Digital Photography

fxphd: PHT201: Digital Photography
FxPhd Are generally occupied by courses according to computer graphics - 3D, compoziting, etc.
This course on the photograph - this is their first course on this theme. Course unique, since it examine the base methods (framing, illumination, work with the depth of focus, the balance of white, the speed of lock, etc.), but all this is done by the photographer of the top- level also in the corresponding environment. Therefore the course is simultaneously intelligible for the novices and is interesting for the continuous and even moved photographers. It simultaneously both on the bases and on how the photographs of top- level are created.

The content of lessons is the following:

1. illumination and photographing bright objects (38:00).
2. basic terms and technical concepts in photograph (32:40).
3. landscape survey and working (28:43).
4. selection of photographs, the selection of successful, work with RAW, idea to customer (41:24).
5. work with model (32:48).
6. work with the model (continuation) in the dynamics, in low and high key (30:42).
7. work with the model on the nature, evening and night survey, effects with night survey (26:30).
8. illumination by laser beam, method "light brush" (34:22).
9. survey of land and work with the depth of focus (37:10).
10. survey of glass capacities with different filling, work with the illumination and reflection (33:55).

Download from megaupload:
class 1:
http://www.megaupload.com/?d=K99GKS8V
http://www.megaupload.com/?d=68ZEFLWI
http://www.megaupload.com/?d=K1DZ7UU7
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class 2:
http://www.megaupload.com/?d=0SRJ9CWI
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class 3:
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class 4:
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class 5:
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class 6:
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class 7:
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class 8:
http://www.megaupload.com/?d=49EUW4IR
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class 9:
http://www.megaupload.com/?d=HQAC2H6A
http://www.megaupload.com/?d=RZTXZTBF
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clas 10:
http://www.megaupload.com/?d=RH5TW16B
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Download from rapidshare:
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fxphd: ZBR201 - Modeling with Z-Brush

Jan 12, 2009

fxphd: ZBR201 - Modeling with Z-Brush | 908 MB

Download from megaupload:
01 http://www.megaupload.com/?d=WNVOYZC2
02 http://www.megaupload.com/?d=HY30IZ5G
03 http://www.megaupload.com/?d=WEM0P0I3
04 http://www.megaupload.com/?d=ODHUZ066
05 http://www.megaupload.com/?d=Z0ACQSII
06 http://www.megaupload.com/?d=H6CEYJZT
07 http://www.megaupload.com/?d=ZKQN0WI5
08 http://www.megaupload.com/?d=1WHMZEX3
09 http://www.megaupload.com/?d=NRXEBFV2
10 http://www.megaupload.com/?d=WRRUYICL
11 http://www.megaupload.com/?d=DKRXN6GV
12 http://www.megaupload.com/?d=E08FF4HD
13 http://www.megaupload.com/?d=FVYC5116
14 http://www.megaupload.com/?d=FCB50J9A
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fxphd: Introduction to Toxik I

Jan 7, 2009

fxphd: Introduction to Toxik I | 1.43 GB
This introductory course in Toxik will teach you how to navigate through the new toxik workflow and interface, how to work with high resolution and high bit depth files in various formats and sizes. This is designed to be an overview of the software, covering the underlying structure and operation of Toxik. The collaborative environment of Toxik 2007 is a new paradigm in visual effects software, so many of the features as well as pitfalls are covered in the course. This course goes hand in hand with TOX102, which covers more footage and project-based examples to tackle shots. These two courses together provide a firm foundation upon which artists can begin using the software.
Professor and Dean John Montgomery has been involved as an end user in the development of Toxik since the early days and brings his unique insights to the course.

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fxphd: Digital Colour Theory

fxphd: Digital Colour Theory
Description: Digital Colour Theory introduces you to the fundamentals of light and colour when applied to film and television industries. Understanding how to make your images look as photorealistic as possible is the premise for this course. Standard theories of additive and subtractive colour models will be discussed with examples from various media and software packages such as Final Cut Pro and Photoshop.
Learn what colour enhancement is all about and why you would use it. You�ll learn that using different colour correction packages are made easier when you understand the colour theory behind what you want to achieve. This class will cover film and video theory, in particular how colour is used creatively as well as technically. This is a great companion course at fxphd to use with courses on the inner workings of Davinci and Lustre.
Have some fun with light and colour, you�ll be amazed when you see what you can achieve.

Megaupload:
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fxphd: Rotoscoping Techniques

fxphd: Rotoscoping Techniques | 405 MB

Probably the number one most requested course at fxphd has been one focusing on rotoscoping techniques -- and we're excited to make this course available to postgrads. Professor Tahl Niran will be using both Shake and Silhouette Roto to cover compositing this term, with a focus on rotoscoping. Especially exciting is that fxphd postgrads will have VPN access to OSX, Linux, or Windows versions of Silhouette Roto during the term.
The Classes will cover initally the theory and approaches to Roto, and then settle down to covering Roto using Silhouette. In addition to the rotoscoping, Niran will of course be covering other issues which come up when compositing visual effects.

Megaupload:
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pass - rapidoff

fxphd: Maya Lighting and Rendering

fxphd: Maya Lighting and Rendering | 1.4 GB

This class covers everything from lighting theory and practice, mental ray
shaders in maya, and Gi, to render passes and compositing techniques.

Megaupload:
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